Julia Schade is Junior Professor of Performance Research at Goethe University Frankfurt. In her research she focuses on theatre, performance, media, and theory, as well as critical ecology and the afterlives of colonialism. In her book Unzeit. Widerständige Zeitlichkeiten in Performance, Kunst, Theorie (Neofelis 2024) she examines how performance, art, and theory articulate resistant temporalities that challenge the linear and universalized concepts of time underpinning Western modernity. Her current research project explores artistic and fabulative perspectives on waters and ecosystems with a particular emphasis on oceanic aesthetics and feminist activism in the context of (neo-)colonial extractivism. In addition, her work addresses aesthetics of property and dispossession, as well as performative and resistant practices of commoning.

Publications

Schade, Julia. “‘Don’t Extract It, Don’t Consume It’. Decolonial Ecologies and Liquid Dramaturgies”. INSERT. Artistic Practices as Cultural Inquiries, vol. 8, 2025, https://doi.org/10.5281/zenodo.17771852.
Schade, Julia.“‘Civilization Is a Crime Scene’. Forensische Spurensuche in den Performance-Arbeiten von Rabih Mroué und Arkadi Zaides”. Forensisches Auftreten. Postdigitale Mediengefüge an den Rändern der Justiz, edited by Friedrich Balke and Anna Polze, Transcript, 2025, pp. 155–82, www.transcript-verlag.de/978-3-8376-7719-5/forensisches-auftreten/.
Schade, Julia. Unzeit. Widerständige Zeitlichkeiten in Performance, Kunst, Theorie. Neofelis Verlag, 2024, neofelis-verlag.de/media/pdf/5c/a7/f9/OA_9783958084995.pdf.
Schade, Julia. “Ozeanische Fabulationen. Den Schauplatz der Unterwerfung aufsuchen”. Sprache und Literatur, vol. 53, no. 1, June 2024, pp. 117–40, https://doi.org/10.30965/25890859-05301006.
Schade, Julia. “Inhaling the Other. Pneumatic Intimacies and the Racialization of Breath”. Performance Research, vol. 29, no. 4-5, July 2024, pp. 105–11, https://doi.org/10.1080/13528165.2024.2510857. Accessed 18 May 2026.
First Supervisor for
Luna Vega
PhD Candidate