Martha Crowe is a doctoral candidate in the DFG Research Training Group “Aesthetics of Democracy”. Her project, supervised by Prof. Sophie Loidolt, examines the role of withdrawal within democratic structures, framing disengagement as foundational to political life. Beginning from an understanding of the aesthetic as encompassing a range of sensorial and experiential phenomena, withdrawal is explored as a process which allows new potentials to come into being. Therefore, far from being a symptom of democracy in crisis, political withdrawal is understood as a creative and pluralistic act.

Martha obtained her bachelor’s in philosophy at the University of Aberdeen and her master’s at Humboldt University of Berlin, where she was a scholarship holder of the Deutschlandstipendium 2022-2023. Most recently, she served as student research assistant in the Volkswagen Foundation funded project “The (trans)formation of a European sense of solidarity” at the Berlin School of Mind and Brain.

Political Withdrawal: The Affective Foundation of Disengagement and its Consequences for Democracies

The political is commonly understood to necessarily involve forms of engagement, whether by exercising one’s democratic right to vote, or more broadly by behaving as an “engaged citizen”. Correspondingly, disengagement is cast as the political’s antithesis: a symptom of apathy, alienation, or disillusionment. Yet this dichotomy overlooks the complexity of withdrawal as a political and affective gesture, and in viewing the political as constituted only by engagement, we limit our ability to theorise democratic life.

My project begins from a simple observation: widespread approaches to democracy from the perspective of engagement obfuscate the lived political reality of the vast majority of the population. Namely, that it is primarily characterised not by engagement, but by withdrawal; that democracy relies not merely on engagement but its negation. Taking the crisis of democracies as a point of departure, the project traces and characterises withdrawal across multiple registers of political life. From voter abstention and boycotts to exhaustion and individual refusal, gestures of withdrawal across the macro and micro spheres of politics function as important moments of analysis. Rather than dismissing these gestures as the erosion of political will, the project reads them as meaningful responses to democratic conditions – as forms of being and sensing within the political realm.

Three central questions guide the inquiry: What is political withdrawal? What are the affective and sensorial components of withdrawal within democratic structures and lifeforms? What role does withdrawal play in sustaining or redefining democratic life? Ultimately, the project demonstrates that withdrawal, far from being the absence of politics, constitutes a foundational structure of democratic experience.

Publications

Crowe, Martha. “We Need to Talk A Museum’s Response to Political Polarization in Post-Unification Germany.” Spaces of Appearance: Aesthetics and Politics after Analogy, edited by Martin Renz and Julius Schwarzwälder, Bielefeld, transcript Verlag, 2025, pp. 52–75, doi.org/10.14361/9783839406847-003.